"Any sufficiently advanced technology is equivalent to magic."
–Sir Arthur C. Clarke
Hello people of "The Wired", my name is Quan, I've been mentally preparing myself for my return to school tomorrow, and after over a month of waiting, it's time for a new anime review. Sorry about that, but these things take awhile to write, and I've sort of spent all my time recently catching up on a lot of things, both with anime and academically. Anyway, it's time to get started, so let's start already.
Before that though, let's get some potential confusion out of the way first, and talk some technical shenanigan stuff. Now, A Certain Scientific Railgun acts as a spin-off to another anime: A Certain Magical Index and its sequel: A Certain Magical Index II, so for those of you who have seen both shows, keep that in mind that I have yet to see Index or its sequel, so that might be why I don't mention certain things about the franchise or its laws. And if you think that in any way impairs my ability to review Railgun, let me remind you that even if a show is a spin-off, it should still be able to stand up on its own and establish the rules of its universe without any prior knowledge of the sister/father/first series. Additionally, A Certain Scientific Railgun also has a sequel, A Certain Scientific Railgun S, and while I have seen that series(and think it is in every way better), the review today will be exclusively on the first season, though I may reference Railgun S occasionally, probably in the context of saying what it does better than the first season. OK, everyone clear? Good.
A Certain Scientific Railgun was brought to us by those folks over at J.C Staff, the animation studio that has brought us, as well as the entirety of the Index franchise, Toradora, Golden Time, Shakugan no Shana, and Zero no Tsukaima. It was directed by the one and only Tatsuyuki Nagai, who you probably recognize from his directorial work on both Anohana and Ano Natsu de Matteru, though I personally like him best for directing Toradora, which is still probably one of the strongest slice-of-life/romance I have seen yet. Part of the script was handled Michiko Itou, who had done work on No. 6 and a Toradora OVA, but the script was primarily handled by Miya Asakawa... who hasn't really done anything of note besides a couple episodes of Noein, which I'll be shocked if you've even heard of that(though on a side note, go watch Noein, it's pretty cool). And finally, A Certain Scientific Railgun is 24 episodes long, and aired in the season of Fall 2009, a season which also gave us Kimi ni Todoke and Aoi Bungaku, if that means anything to you. Ok, let's get started with the plot.
Academy City is a scientifically advanced hub of technology and the arts, apparently about 20 to 30 years ahead of the rest of the world. 80% of the population are actually students, which sounds like someone screwed up somewhere, but in addition to being pretty much the Metropolis of this world, Academy City serves a second purpose. In this world, part of humanity has awakened to a greater psychic power, which is not nearly as exciting as it sounds because the anime doesn't really go for something like Shinsekai yori in which these powers would kind of destroy the world because everyone simultaneously decided they were God now, but more something like a "what if?" scenario, as life is basically normal in Academy City besides from the fact that certain people could potentially fire kinetic beams from their hands. These psychic powers are different for each person and could range from teleportation, to being able to see through walls, to just having cats slightly more prone to chase you. These powers are ranged from levels 1-5 based on their power, with a level 0 simply being a normal person without any abilities. Academy City seeks to train the thousands of students to properly develop their powers(people with psychic powers have been deemed: "espers") and understand them, thus why Academy City's population is so unbalanced.
Our main heroine is Mikoto Misaka, a student of Tokiwadai Middle School, and one of only seven Level 5 espers in the entire city, her esper power being an "Electromaster", or in simple terms, being able to manipulate or produce vast amounts of electricity. She has earned the nickname "Railgun", probably because of her tendency to flick a coin into the air, and launch it with a controlled beam of electricity that is usually capable of settling whatever problem she may have. And if you're having trouble picturing what this may look like, allow me to turn to the almighty Tumblr for a demonstration.
Behold the Railgun. |
The main problem is the show's own writing, in the fact that it just isn't very good. So, I watched dub admittedly, but even if maybe some dialouge is switched around, the story will still follow the same basic structure right? Yes, it will, and the stories Railgun provides for the most part aren't great. You can usually predict how most arcs will end, and usually the arcs themselves are very basic in the way they progress and are structured. It doesn't help there's always at least one piece of dialouge that's worthy of a groan every episode, and no really tension exists since Railgun is undoubtedly not trying to be an overly-dark or serious show. Sure, it has its moments, but for the most part, you can practically guarantee that everything will work out in the end, all the characters will get out unscathed, and even in the darkest hour, the power of friendship will prevail. It's a shame too, because considering the promising premise, some good writing really would've shined here, as seen in A Certain Scientific Railgun S. The filler is pretty bad too, there's really not a lot there, mostly cliches without much character development, and considering how much filler there is in the series, about half of the episodes, it begins to become a problem really fast. And I'm not saying that there is an inherit problem with filler per say, but what I do have problems with is filler that doesn't accomplish anything. Look, I know it is called "filler" after all, but I still think that down-time of a story should be dedicated the developing characters or parts of the world that the main plot doesn't have time for. I mean, consider an anime like Bakemonogatari, an anime that practically is 90% filler, but uses nearly all of that time to develop its amazing characters, so when something sort of resembling a plot does kick in, there's all the more reason to care.
It's not all bad however. I usually have a problem with anime with an arc format with filler in between, because as seen in the original Fate/stay night, the tonal identity of the anime suffers, as it switches too far often between light-hearted filler and plot. Railgun, on the other hand, is able to keep a consistent tone throughout, and whether the characters are having a beach episode, or the plot dips into something actually quite dark, it never feels unjustified. Also, the pacing and structure is actually quite exceptional. Yes, I'm still complaining about the basic structure of any given arc, but the structure of the entire shows fits together quite well. And if we were to continue this extended structure metaphor, the parts of the story all fit together to form a complete picture. There's definitely a sense of escalation in the plot, and every arc plays at least a little bit of a part in the bigger picture. This means by the time we reach the finale, and Misaka is fighting mech suits on a highway, it's easy to see how we got here from the beach episode, which is definitely a positive. However, if I were to pick the high point of the entire series, I still think the mid-season finale was kind of awesome, in both execution and the fact that a lot of things were going down and I thought it was cool.
It's still not great, the main plot that is, but I'd say it is passable but nothing special. Whatever plot-points or themes the plot does bring up for the most part have been done better in some other anime, and while that's not necessarily a deal-breaker, it's a problem. I do like the plot, and it's probably the best part of this otherwise average show, but I find it hard to give it too much credit.
From left to right: Uiharu(who is making a really stupid face), Misaka, Kuroko, Saten. |
As for Misika's roommate Kuroko(and the rest of the cast actually), she doesn't hold up as well. Besides from her personality trait of constantly perving after Misaka, there's not a whole lot to her. She's a member of Judgement, a sort of student run police force, which allows her to show off her more serious side. It is also through Judgement that allows Misaka and the rest of the cast to get involved in the plot, as they help Kuroko and Judgement stop whatever thing is terrorizing the city. The only thing I'll give Kuroko, besides that she is kind of annoying, is that she is undoubtedly the person who knows Misaka the best, and is usually the first to scold Misaka at her tendency to rush into situations without thinking.
The problem I have with Saten is that she is kind of useless. At first, I thought her role would be to be, despite not having any esper powers, the voice of reason and intelligence. But she's not really that either. She's just kind of... yeah useless. And as for her friend Uiharu, I don't really have much to say about her either. And that is a big flaw when nearly all of your main cast is sort of under-developed, and a big reason why you'll see the number you do at the end of this review.
Luckily, the rather large supporting cast pick up a bit of the slack. From the members of the actual police force Antiskill, to Misaka's classmates, to the various adversaries that our main characters meet along the way, everyone has something to bring to the show. Hell, even the main character from A Certain Magical Index: Touma Kamijou will show up occasionally, and usually have very amusing interactions with Misaka, bringing up her well hidden tsundere trait for all to see. He's mostly just there as fan-service(the other kind) however, not really contributing to the main plot besides from one occasion, but rather distantly mention side-characters from Index and so on. The standout however, is Dr. Kiyama Harumi, who is probably the most well developed character in the show, at least in season 1. I can't tell you her exact role in the plot due to spoilers, but her motivation and personality are really well defined. I also like how she is just a little "out of it", sometimes asking off-topic questions or not reacting to situations in the way a normal person would.
Welcome to Academy City. |
I've been listening to the OST the entire time I've been writing this review, and I hardly even registered it. The music, done by Maiko Iuchi, sounds very bland and uninteresting, filled to the brim with all the slice-of-life jingles you've heard a million times before. And yes, there is music to compliment the more serious parts of the series, but it's nothing worth listening to twice. The only thing I'll give on the music side of things is that the both OP's, and the first ED of the anime are rather nice, and have good animation to boot. There's also two songs: "memory of snow" and "Late in autumn" done by the band "fripside", that are rather serene and calming, and at least beat out the counterparts by Iuchi on the OST that seek to achieve the same feelings. And even if some voices are annoying, I can speak well for the dub.
OP 2
ED 1
Late in Autumn
Final Verdict: 6/10
P.S: Never trust anyone with a lab-coat.
Recommended Anime:
A Certain Magical Index
Well this one is pretty obvious.
Night Raid 1931
I sort of feel bad for recommending two anime I haven't even seen, but hey, it's another anime about a team of people wielding psychic abilities in an awesome setting, but this time with more a focus on plot and more serious.Goodbye for now guys.
Like the review? Click here for a review of Kanon(2006).
Or for a countdown, click here for the first part of my Top 50 Anime OP's.
Or for books and the such, click here for a review of Ender's Game.
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